The’Institut supérieur pour l’étude du langage plastique’ at BD de Waterloo, 31, Brussels is showing jewels of Nele Content and ceramics of Anne Marie Laureys in the Rayon Art department.
more to see at www.iselp.be
The’Institut supérieur pour l’étude du langage plastique’ at BD de Waterloo, 31, Brussels is showing jewels of Nele Content and ceramics of Anne Marie Laureys in the Rayon Art department.
more to see at www.iselp.be
Gallery Carla Koch specializes in modern glass and ceramics, especially glass and ceramics related or referring to functionality and design. The gallery preferably shows objects that may have a function, and yet can easily stand on their own as autonomous art. The objects should enclose some space, while the spectator should be able to enclose the objects. The gallery yearly organizes about 9 exhibitions, alternately glass and ceramics. In addition, the gallery has a presentation on several Artfairs in and outside the Netherlands. see more at : www.carlakoch.nl
For the solo show i am working on new ceramic forms …. presently several clay-e-motion vessels are in stock at the gallery.
Crafts from Flanders on show at Flow Gallery in London, GB. Salima Thakker, Annemie Decorte, Jeanne Opgenhaffen, Tine De Ruysser, Piet Stockmans, Sofie Lachaert, Anne Marie Laureys. Private view on Thursday 11 February.
My work is represented in a recent published book Contemporay Ceramics a worldwide survey of inovative works. Direced by Emmanuel Cooper and edited by Thames and Hudson, London, UK.
Do you love ceramics? … Go for it!
The European Prize for applied Arts is organised by WCC-Bf, in parnership with WCC-Europe, Design Vlaanderen and the City of Mons. The competition is focused on the artist working in the field of applied arts and design-led arts. the selected works will be shown, from November 20 2009 untill January 17 2010, at the Grand Hall of the Anciens abattoirs of the City Mons, Belgium.
Three of my ‘Clouds by my fingers’ ceramic forms are selected for the competition and exhibition.
Three works ‘Clouds by my fingers’ are selected for the European Ceramics competition/ Westerwald preis 2009/ Exhibition of the selected works from August 28 2009 – January 10 2010. Keramikmuseum Westerwald, Hohr-Grenzhausen,Germany.
Dialogue will be an exhibition about a process 2 designers members of the WCC-Bf working together designing a form, an installation. Amongst others the project is happening between me and Claire Lavendhomme / contemporary objects and jewellry. The souvenirs of the growing process ‘Dialogue’ will be part of the exhibition.
Dans la galerie du WCC-BF, exposition du trajet ‘Dialogue’ entre les membres associées du WCC-Bf.
Entre autres, dialogue entre Claire Lavendhomme/bijoux contemporains et Anne Marie Laureys/céramiste
Le concept repose sur l’idée d’un échange, d’un dialogue, d’une confrontation entre deux créateurs qui se seraient choisis. Le choix réciproque peut reposer sur une affinité (ou une opposition) au point de vue formel, technique ou symbolique. L’échange permettra de découvrir un terrain commun: ex. : légèreté, transparence, densité, intérieur, vide/plein, … et de mettre en lumière la spécificité de chacun.
Chaque créateur sera amené, s’il le souhaite, à créer un ou plusieurs objet(s) nouveau(x), emblématique(s) de cette rencontre. Les travaux à présenter à l’exposition “dialogue” seraient avantageusement accompagnés de traces de leurs élaboration .
November 24, 2009 i will give a talk (Fr) about my travels in India, i visited several places in Tamil Nadu where huge clay sculptures, “Ayanaar Horses” are to be seen. This talk takes part in a cycle lectures ‘ Pratiques de la Céramique, Cycles de rencontres et de conférences autour de l’art et de la creation céramique’ at the Cultural Centre of Andenne, B.
26 November 2009, 20 h “Ayanaar Horses” reusachtige kleisculpturen in Tamil Nadu India.
Lezing door Anne Marie Laureys, reisverslag (fr) in het kader van Pratiques de la Céramique’ Cycles de rencontres et de conférences autour de l’art et de la creation céramique’. Centre culturel d’Andenne.